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Introduction
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Working wood solely with hand tools may seem like an impractical approach these days, especially if you make a living at this craft. But some hand work is necessary in all woodworking, especially if you reproduce period furniture. There's a lot that can be learned from the ways of 18th century craftsmen, some of it useful, some of it simply interesting from a historical perspective. It is pretty amazing what these folks did back in the days before routers and drum sanders. The Working Wood in the 18th Century conference in Colonial Williamsburg, Va., is a glimpse into that world.
This year the conference, now in its fourth year, will focus on the craft of making tables. The conference is sponsored by both Colonial Williamsburg and Fine Woodworking magazine. Beginning Monday, Jan. 21, editors of Fine Woodworking will be posting brief reports and photos on this site from Williamsburg. If you have any questions regarding the conference, feel free to post them to this folder and we'll try to answer them.
Phil Lowe and Will Neptune will be giving hands-on seminars on table making. Lowe will focus on making a round tea table and Neptune will show how a small table with a drawer is constructed. We can't in this forum give you detailed instructions on how to reproduce these pieces. Our aim, instead, is to simply provide a few snapshots of working wood in the 18th century.
Stay tuned.
--Anatole Burkin
Executive editor



(post #123838, reply #1 of 16)
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Anatole... When the conference is over, PLEASE post pictures, information and even some of the comments made by the presenters. We can not all take the time to attend, but we always want to learn! Are audio transcripts available?? I don't want to see a picture of a bunch of smiling people standing around a table. I woud love to see pictures of details, construction steps, layout details. Will plans be available?? Thanks.... Steve E. Long Island, NY
(post #123838, reply #2 of 16)
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Anatole, Williamsburg is an awesome place, a client sent me there several years back to do some research for a project. Man what a place to go for historical woodworking, a must see for anyone who has the chance to go.
(post #123838, reply #3 of 16)
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Steve: I asked the woodworking curator at Williamsburg about a transcript or tape, but unfortunately they are not planning to put together something for the public. As of now, there are no detailed plans available either. I did hear that the Society of American Period Furniture Makers ( http://www.sapfm.org ) is working on eventually assembling a storehouse of plans. But it's still too early to know when and if that endeavor will get off the ground.
And I'll do my best to make sure we don't post too many photos of smiley faces. ;(
(post #123838, reply #4 of 16)
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I certainly hope more than just a couple of snapshots will be available! I would think that this would be a media event, any online video? Let's get with the 90's!! (or whatever decade, century, millenium we are in).
(post #123838, reply #5 of 16)
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RJT:
Even though we're a year into the new millennium, today was a perfect example of why we're really not quite ready for the aughts or whatever this decade is being called. First I lost the ability to edit my posts through some unforseen computer glitches. Then the big screen projector at Williamsburg failed. Leading more than one person to remark how the 18th century technology was working fine. It was the newer stuff that wasn't.
We'd like to do more in the future. This is a test. A test to see how our current technology works and also a litmus test to see what the interest level is out there. So far I haven't seen a lot of response on this board. (Sometimes silence is golden.) But do let me know if this subject is of interest. We'll use that to decide on the level of manpower to devote to this sort of thing in the future.
Like I mentioned in my introduction, we're not positioned to do anything more than provide a glimpse of the seminars. We can do a much better job in the magazine, books and videos when it comes to detailed, instructional information. Consider these posts "postcards" from Williamsburg. Hey, I should have used that as the title of this discussion in the first place!
--Anatole
(post #123838, reply #6 of 16)
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b From the Workshop of Ron Brese
Yep Anatole you set a precedent that led us to expect more. The "Postcards from Williamsburg" title would have set us up to expect tidbits and we would have been satisfied with whatever you posted.
Ron
(post #123838, reply #7 of 16)
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Anatole,
Since you said you haven't seen much response here, I just wanted to chime in to say I, for one, am very interested in reading your reports on the conference. My rank amateur status leaves me with little to contribute to the discussions, though.
When you say you can do a much better job of passing on detailed info in the magazine and books, does that mean there are plans to do so?
Fred - staying tuned
(post #123838, reply #8 of 16)
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Anatole,
I guess I'm one of the silent ones, I've been looking forward to your reports with great interest since you began posting them. Perhaps if they weren't so thorough, they would prompt more "discussion".
b ;)
Very well done.
Dano
(post #123838, reply #9 of 16)
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Anatole,
I am also lurking around. In fact I have been loggin in every day to see how things are progressing. I'm sure there are many more like me, so please don't be discouraged.
Thanks and keep up the good work, it is fascinating.
Kind Regards,
Ricky Briggs.
(post #123838, reply #10 of 16)
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Anatol,
I've been skipping the "Introduction" after looking a couple times and eagerly awaiting each new report. If you're looking for input on what kind of resources to devote to things like this, I'd like to encourage you to go all out. This is the kind of thing that
i Fine Woodworking
offers that others don't or can't.
Thanks!!!
(post #123838, reply #11 of 16)
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Mr. Burkin;
The reports and snapshots, though spartan, are appreciated, and really quite a tease. I spend too much uninterrupted time in the shop, with too few reading breaks, i.e; If I had paid any attention, I would be there in person! Please publish as many detail profile photos of the original tea table as you can, as I believe Williamsburg has signed away all rights to their furniture pieces, and cannot publish plans.
Keep up the good work,
John
(post #123838, reply #12 of 16)
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Thanks for the reports from Williamsburg. They are valuable even to those of us fortunate enough to attend. However, this years format is far less valuable than last years If it can be fleshed out by other means, e.g.: magazine articles, videos, then this may be enough.
The wealth of information in The Working Wood conferences is far too valuable a resource to be limited to a mere 400 lucky attendees.
(post #123838, reply #13 of 16)
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John:
One of the problems with covering this conference is that we don't really want to intrude on the paying public's enjoyment of the seminars by stopping the presenters in their tracks and getting the kind of photos we do when working on an article. But I do understand your hunger for more detailed information.
From the feedback I'm getting, I'm concerned that the kind of coverage we're able to present live from this conference is too "lite." Maybe it would be better for us to develop the material further and post after the fact. But like I mentioned earlier, we did bring home some article ideas from the conference that we're bouncing around.
We do have to consider the cost of developing high quality content. If we're going to go all out, it's only fair that we figure out a way to make a living at it, hence the concept of selling our prime content in the magazine. I wonder though, would some folks be willing to pay for a much more thorough on-line version of this conference? Maybe with some streaming video? More detailed photos and how-to info? Please let me know your thoughts.
Thanks for the feedback so far.
--Anatole
(post #123838, reply #14 of 16)
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Anatol,
I would like to see a special issue of
i Fine Woodworking
devoted to the conference, issues and techniques addressed, and each year a feature on one of the Williamsburg wood working trades, craftsmen or a per tenant part of the Williamsburg collection. I doubt you'd run out of material anytime soon.
(post #123838, reply #15 of 16)
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Anatole,
Thanks for all the good reports and photos. I sure wish I could have been there this year. Took a class from Phil Lowe this summer. He's a great guy and a great teacher. I would have enjoyed seeing him again.
Please count me in as one who is very interested in anything that Fine Woodworking does to report on these excellent conferences.
Brandon Ford, Lincoln City, OR
(post #123838, reply #16 of 16)
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I'd like to second Larry's suggestion. I think that the "Williamsburg Issue of Fine Woodworking" would be a great seller.
Dave